Grade: A
Sorry, Mr. Burton: this is the best Batman movie.
I went in hoping for the best and was actually surprised when it happened. The movie is dark, edgy, with a smattering of humor that doesn’t kick the movie into silliness. A fantastic mix that truly recreates the modern Batman stories. Burton’s movies did a good job of recreating the 80’s Batman, the high-tech, glossy version that dealt with more action and less inner demon. But this is the post-Dark Knight Returns Batman, the hardcore guy who’s eating himself alive trying to fight evil.
Burton’s line of Batman movies (and by that I’m talking about those first two flicks–let’s just pretend the last two didn’t happen, mmm kay?) had their own energy and feel to them, certainly more comic-like. But the one thing I always missed in those movies was that they just assumed Batman was scary. Which didn’t make a lot of sense because the first movie supposeduly had Batman’s introduction to the underworld, and he looked kinda silly just standing there in a costume. Criminals would laugh, not cry.
This movie takes that introduction a lot more seriously. Batman swoops in from the shadows, making criminals disappear in an instant and leaving only the faintest whisper that something happened. By the time criminals see him, the fear is already there. And then by the time he talks, that throaty growl/scream–now that’s friggin’ scary! When Batman interrogates criminals, screaming at them on the rooftops while rain falls around his face–scary stuff.
I only assign two minor faults to this movie, keeping it from an A+. First, I thought Scarecrow was horribly underutilized. He was almost thrown in as an afterthought and the movie wouldn’t have been any worse without him. Plus, I didn’t like how he became the main bad guy before Batman can really take down the crime boss that launched him on his quest. Maybe that’s truer to the comic stories, or closer to real life, but this is Batman we’re talking about.
SPOILER ALERT: DON’T READ THE FOLLOWING PARAGRAPH UNTIL YOU SEE THE MOVIE!!
The other minor quibble is Katie Holmes. First, her part is miniscule, but even with a few lines she seems out of place. But more than that, I don’t understand why he reveals his secret identity to her. This seems to be the norm in superhero movies these days–just tell everyone you get kinda close to about your secret identity. Lame. Revelation has its time and place, and it shouldn’t be to impress some girl.
Still, this is a fantastic take on the Batman stories, and I hope the same feel continues to the inevitable sequel. Just don’t put nipples back on the Batsuit.